Wednesday, October 31, 2012

Blog Envy


A wise man once said, “Those who can’t do, teach.” But a lot of wise men have said a lot of stupid shit over the years.

So I’ve abandoned this hogwash phrase and decided to try to learn from those who can do, and do do, what I’m doing – writing a blog. In this post I’m going to be profiling Mark Richardson, Editor-in-Chief of the prominent music blog Pitchfork, and prolific blogger on his personal blog http://www.markrichardson.org/. For a quick summary of his professional work (and “hardware usage”), check out this short interview with The Setup. As the editor-in-chief of one of the biggest and most influential music blogs, Richardson is clearly an expert in music and writing. But it’s not his work at Pitchfork that I’m going to talk about; rather, it’s his personal blog, which has become a true inspiration for me since I started following it a mere week ago. He blogs pretty much every day, usually posting a few small things and a larger post each day.

What I like most about Mark’s blog is its style. But “style,” in an of itself, is a meaningless term, and in this case manifests itself in many ways. The point, though, is that after reading Mark’s blog for a little while, I feel a distinct style, whatever that word may mean, emanating from it that, I hope, represents Mark’s personality and interests – his real-life person style if you will. 




So how is this style portrayed? I think the choice of content plays a big part. Obviously, Mark is a music-junkie – you don’t become the editor-in-chief of Pitchfork listening to a record “here and there.” And, in stride, most of Mark’s posts are music related. But he doesn't let that limit his blog. He sprinkles in muses about culture in general and comments and links to anything he reads and finds interesting. It is in these posts that his personality, perspective, and feelings come out, and they give the blog balance. By widening his scope, Richardson redefines his target audience: it’s not just music junkies like himself who are checking in to see what tunes are on his mind, which he already expresses through his Pitchfork pieces. Instead, his personal blog is like an expansion pack for his more formal Pitchfork writing – it’s more personal, covers more topics, and is much less structured. It’s succinct, no-frills posts linking to songs. But it’s also longer musings addressing whatever is on Mark’s mind at the time. It’s both at the same time. And by ditching the structure and the limitations that his professional writing requires, he is able to appeal to audiences just interested in things – music, art, technology…culture! – the things everyone does, or at least should, care about. And he makes these things interesting with his unique perspective and thoughts, and in doing so he establishes this ineffable concept of style that strikes me.

My favorite of his recent posts, and one that demonstrates this style I’m talking about, is innocently titled  At the Laundromat. What starts as a description of Richardson’s launderly and literary tendencies turns into an amazing story of his interactions with a mentally ill woman at his Laundromat and a commentary on the way we interact with the homeless and the disabled. He so effortlessly uses straight-forward storytelling to get his point across by giving details into his personal thoughts (about the story) along the way. And he doesn’t make any attempt – actually, none at all – to convince you that his point is “true” or “right.” He doesn’t even explicitly say what his point is. He just tells a story, from his perspective, and lets it be, lets the reader take from it what he will. This is what I like most about Mark’s blog – he makes a point without making a point.

Another post that stands out for me is this, in which he comments on a quote from the afterword of You Are Not A Gadget. I think this is a great example of extremely effective use of third party material. The way he presents the post, with the quote (third party material) in much larger font, makes that outside material the focus, with his comments serving merely as condiments for the proverbial hamburger. Again, he lets you take the quote for what it is, not overemphasizing his position or forcing his perspective on the reader.
Ultimately, I strive to take my blog in this type of direction: I don’t want to limit myself to long posts on specific subjects. Rather, I want to make my blog a more accurate expression of my thoughts and feelings and will start posting more random, stream-of-consciousness type items that reflect my own style and personality. 

Monday, October 29, 2012

Brocial Bookmarking Soulmate


Social Bookmarking. Can enough be said about social bookmarking? Before the advent of social bookmarking, bookmarking web pages was so…antisocial. And think back even further…when I was just a curious young boy reading book like Harry Potter and Eragon for their mystical whimsy, I longed for nothing but a friend with whom to bookmark pages. But alas, it wasn’t until I signed up for the social bookmarking sites del.icio.us and diigo.com that this lifelong dream was achieved. Luckily, with these tools I have found a fellow bookmarker, a “bookmarking soul mate” if you will, who has scoured the depths of the internet to find and bookmark anything and everything related music.

Primus Luta is a bookmarking monster. Since joining Diigo in 2008, he has 1284 public bookmarks and almost 2,800 total! While he has tagged and bookmarked articles of all kinds, he focuses on music and music performance technology – his top tags include “album,” “Beatmaker,” “music,” and “live-performance.” When I first saw these top tags, I got excited…then I said them out loud and they were music to my ears. Yes, I did just waste a sentence to set up that crappy pun, and I’m wasting another one confirming your suspicion.

Despite the abundance of his bookmarks and tags, however, they are not very thorough – while I haven’t looked through ALL of his bookmarks, the ones I’ve seen have tags but no comments, highlighting, or any other organization. Obviously, social bookmarking tools carry a “to each his own” philosophy – there is no established “proper” way to bookmark or tag. Looking at Luta’s page, it seems like he is tagging mostly for himself and his own reference. But I think his tagging is also a bit haphazard; with almost 3,000 pages bookmarked, it would be very difficult for him to organize them for himself with tags alone, much less for a larger public who would be viewing his well-documented browsing history. I expect that once his number of bookmarks got to a certain point it would become overwhelming, which possibly explains why stopped bookmarking at the end of 2011.

Looking through his bookmarks, some very interesting pieces stood out to me. Particularly, Luta found this gem, which shows the historical and geographical origins of dance music in a mesmerizingly visual way. You can click play to see the progression, but it happens so fast that I would recommend slowly drawing your mouse from the left to the right side of the screen to control the map yourself. It’s awesome to see how much music and influence has traveled in the past 20 years in particular to create our modern genre-defying perspective on music. Also interesting was this LA Weekly article about Blue Note’s departure from their jazz specialty for a foray into more poppy music, and this Racialicious essay about first-world pop musicians reference and treat issues of race and power.

I think these three examples give a great sense of Luta’s social bookmarking tendencies. He covers a huge intersection of different items relating to music, but to his credit, I have found every piece he has tagged to be genuinely interesting, whether it covered a topic I am typically interested in or not. I think Luta really gets it – the fact that I found so many of his tags personally interesting and relevant demonstrates that he has a great awareness of his audience, which I think I fit into perfectly. His target audience is made up of people who are really into music, but also have very broad musical awareness and levels expertise. Thus, he bookmarks pages that are focused on specific aspects of music but are also easily understood by any music fan. And if 

I’m any judge, he’s pretty successful at it.